Dianna VanderDoes is a fiber artist working in cotton and silk fabric. She combines surface design techniques such as dyeing, painting, image transfer and applique, in layers that she stitches together to create complex images.

Deb Cochrane’s photography inspiration comes from the natural world and from the stunning landscapes of America and Australia. She loves to spend her time in the mountains in Colorado and by the ocean when in Australia. Within those vast landscapes, Deb sees the smaller detail and can pick out a part of the scene and show the viewer the beauty that is often overlooked.

Tabitha Benedict Aaron establishes a calming spiritual connection to nature with her latest collection “The Peace of Wild Things.” She believes that an intimate connection with nature enhances our lives and can put us at ease during a time when stress is a global epidemic and that nature connects us to the natural rhythm of life. Tabitha aims to create this emotional experience, engaging the viewer a little closer.

Tiffany Miller Russell’s paper sculptures create inviting glimpses of familiar worlds that display a heightened sense of reality. Peering into a shadowbox holds its own kind of magic, encouraging memories of similar moments in our lives when we have been overwhelmed with curiosity and wonder. These works are created from specialty art papers, which are cut flat and then shaped by hand, with an intent to create sculpture that resembles painting. Tiffany finds inspiration in nature and the diversity of life, especially the animal kingdom. Her work explores the interconnected relationship of animals to the larger world, from the daily ecosystem the creatures encounter, to their use as cultural and artistic icons. Tiffany’s paper sculptures have won her numerous national awards, including from the Artists’ Magazineand the Society of Animal Artists. Two of her works are included in the permanent Contemporary Art collection of the Cheyenne Frontier Days Old West Museum.

Jim Miller is a passionate astro-photographer, specializing in taking original long exposure images of deep sky objects such as galaxies, nebula, and star clusters. The process includes imaging through telescopes and monochromatic CCD cameras specially designed for astronomy. The majority of photos are taken from his home in the mountains near Boulder, Colorado. The total exposure time varies from 10 hours up to 30 hours depending on the brightness of the subject and filters used.

Artists are story tellers and Vivienne Douglas paints stories of people, with blanks left open for the viewers to fill in for themselves. She is most drawn to stories of women and their roles in life, whether they come from across the street or halfway around the world. Her stories can come from the day’s headlines with scenes of immigration or refugees, and portray everyday life in a harsh and difficult environment. Other works can depict tender and sweet moments, a woman who escapes the drudgery of laundry by composing a poem or melody in her head, or a mother at day’s end with her child in her arms. She invites you to weave your own feelings into these works, and relate them to your own journey through life. She hopes you will infuse your personal experience into her art, whether it is drawn from a memory, a hope or even regret, from the warmth of love or the bitterness of a lesson learned. This is what her art is about, to make you feel.

Ileana Barbu’s formations as a sculptor infused her artistic view with the fascination of three-dimensionality and the constant impulse of understanding forms in all angles. Drawing is an obsession for her – line and form in all their aspects have been a constant in her artwork. Her body of work can be viewed as a conglomerate of different directions, but she always returns back to line or linear compositions. Even when she “paints,” what really matters to her is the underlying structure. The paintings are, in fact, colored drawings. Ileana is fascinated with the human figure in all its aspects: physical, spiritual, natural, social and historical-temporal. Lately, she has been drawn to the images of trees – but also through the prism of human expression. Each “tree” is in fact another facet of herself.

Each of Kimberly McClintock’s prints begins as a tiny 2 to 4 inch square collage, assembled from original children’s book illustrations, postcards, maps, advertisements, found paper artifacts and other documents. Once finished, the collage is scanned at high resolution, color corrected, and archivally printed at twenty to thirty times its original size. A poet for over thirty years, Ms. McClintock considers her visual art a translation into the visual domain, using the same principles of contrast, association, and juxtaposition that are at work in poetry. Kimberly McClintock grew up in southern New Jersey. For the last twenty years, she has made her home in Colorado’s Front Range.

A Colorado native, Kathy M. Friesz currently resides in Denver. Kathy’s formal education at The Colorado Institute of Art, where she studied graphic design and interior design, allowed her to pursue a career as the owner and primary designer of her own firm for over 20 years. Her professional interior design experience has significantly influenced her sensibilities in achieving strong paintings.